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Thesis Statement Basics Of Photography

If you want to become a famous photographer and bask in the glory, the first aspect of photography you need to master is using a digital single-lens reflex camera. Let us presume you have already glanced into your new camera’s manual and learned what all those numerous buttons and levers do so that you are able to operate your device with ease: then you must be craving to take your first photo. To make it a masterpiece, let us follow several simple instructions.

1. Though it may sound unnecessary for the first step, do not forget to take the protective cap off the lens. A solid part of photography is about capturing the right moment, and it is disappointing to miss one just because of your own carelessness.

2. Find a solid frame. It is a matter of practice. For starters, try not to crop peoples’ heads or other body parts, and do not put objects right in the frame’s center. Leave some head space or your images will appear overloaded.

3. Adjust aperture, shutter speed, and ISO values. Or to make a process faster and easier, use A- or S-modes (‘aperture priority’ and ‘shutter priority’ modes respectively). The A-mode allows you to set the F-number (which influences the depth of field), while automatics takes care of ISO and shutter speed. S-mode does the same for shutter speed, which affects whether the objects in your picture will be blurry or clear.

4. Let your camera autofocus by pushing the release button halfway, and then slightly press it to the end to make a shot. If you shoot at nightfall, set shutter speed low and use a tripod to exclude image distortions caused by your hands’ shaking. If your camera cannot focus on its own (which often happens when it is dark outdoors) switch from auto to manual mode, and focus your lens on lights, or to the infinity.

5. Do not be afraid to post-process your photos. Digital photography grants you a wide variety of ways to improve your images’ quality, so feel free to use them—at least until you become a professional. At the same time, many professionals use Photoshop as well. Anyway, you may be surprised how simple saturation, contrast, or hue adjustments are able to make your images look much better.

6. Take multiple shots. Hardened pros may follow the rule ‘One shot—one hit,’ but to do that you must take thousands of photos before. Taking several shots of one frame will give you an opportunity to choose the best among similar images. So shoot, shoot, and shoot.

There are many nuances in photography cannot be crammed into a short guide. But we hope that it will give you a successful start, so that one day you are able to take astonishing photos.

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Is Photography a Reflection of Reality or an Escape from It?

Photography, meaning “drawing with lights” in Greek, is an art as well science of capturing light and storing it on some medium. Photographs have been used for over a century now for capturing moments of mankind and things around him, although photography dates back to 4th century B.C. But since its use, arguments have fired up to know whether photography can reflect the truth, the reality or instead push us away from it. Photography is just another art where an artist puts his thoughts and imaginations on a canvas using his creativity. Hence photography may not show what the reality is, it shows how the photographer sees the world or he wants us to see the world.

Some people argue that photography involves mechanical processes that handle most of the work, so not much work is to be done by the photographer. Whatever is present in front of the lens is captured exactly onto the film and there is no scope for the image generated to show others than the reality presents at that moment. But what matters is how that photograph was taken. The lights, the colors, the angle of the photography and the frame captured create a story of their own. Photographer uses such aspects to create an interpretation of reality, how he sees it and not necessarily how it appeared to everybody else also present at that moment.

For instance, a photograph of a beautiful beach will not show the litter present behind the camera. One will admire the beauty of the beach but will never know the reality of the beach. This will instill a false belief about that beach into the mind of person who sees the photograph and he may never know the truth about it. Photographers not always want people to see the truth but see the beauty of their work. It may seem morally incorrect but it’s what they are supposed to do, take beautiful photographs and earn admiration for the same. But photographs, even used for recreational purpose can be misleading sometimes. Consider the image below. It takes a while to see the truth. It appears there is a convertible parked next to the van but in reality it’s just a car painted on the van and there is no convertible.

However, more serious issues arise when photographs are used to show reality events and are even sometimes used as evidence in court of law. After the invention of personal computers photographs can be easily manipulated even if there are already taken. Which in turn can be considered bending the truth or simply a lie. There have been many incidences in past where photographs have been faked or misinterpreted creating havoc situation. The best known example is the Reutersgate which involved digitally manipulated photographs taken by Adnan Hajj, freelance photographer who had worked for Reuters.

One of the photograph, captioned by Reuters as showing an Israeli F-16 fighter jet firing ground attack missiles during an air strike on Nabatiyeh, was digitally manipulated to show as if the F-16 firing missiles but actually deployed a single flare.

Many simpler attempts were also made by just giving false or misleading captions to otherwise real photographs that were taken at different time or place and used during the Lebanon war period. Consider the images below. First image was captioned “Journalists are shown by a Hizbollah guerrilla group the damage caused by Israeli attacks on a Hizbollah stronghold in southern Beirut, July 24 2006. (Adnan Hajj/Reuters).” But look at the next photo captioned as “A Lebanese woman looks at the sky as she walks past a building flattened during an overnight Israeli air raid on Beirut’s suburbs August 5, 2006. (Adnan Hajj/Reuters).” But a cursory glance shows that it’s the exact same destroyed buildings in both photos. If they were already destroyed on July 24, they couldn’t have been destroyed on August 5, especially since the damage is identical in both pictures. It’s quite obvious that photos of the same scene were re-released to make it appear as if Israeli bombing raids were continuously hitting Beirut, when in fact Reuters was just recycling the same damage over and over. Well it’s ironic how one image disproves another image.

This gets us thinking whether we should believe what we see or not. I think no, we should verify a photo before we jump to conclusions whenever it’s necessary and possible. Photographs can be a great source of entertainment and a form of art but when it comes to portray reality, it may not succeed all the time. Sometimes photographs can also create hyper reality which just exaggerates the reality and thus cannot be truth. Photography acts as a thin line between reality and fantasy. Shows what you want to see.

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